martinellie-art:

Working on concepts for the novel  ”American Gods” by Neil Gaiman (@neilhimself)

There was a girl, and her uncle sold her, wrote Mr. Ibis in his perfect copperplate handwriting.

That is the tale; the rest is detail.

There are accounts that, if we open our hearts to them, will cut us too deeply. Look — here is a good man, good by his own lights and the lights of his friends: he is faithful and true to his wife, he adores and lavishes attention on his little children, he cares about his country, he does his job punctiliously, as best he can. So, efficiently and good-naturedly, he exterminates Jews: he appreciates the music that plays in the background to pacify them; he advises the Jews not to forget their identification numbers as they go into the showers — many people, he tells them, forget their numbers, and take the wrong clothes when they come out of the showers. This calms the Jews. There will be life, they assure themselves, after the showers. Our man supervises the detail taking the bodies to the ovens; and if there is anything he feels bad about, it is that he still allows the gassing of vermin to affect him. Were he a truly good man, he knows, he would feel nothing but joy as the earth is cleansed of its pests.

There was a girl, and her uncle sold her. Put like that it seems so simple.

No man, proclaimed Donne, is an Island, and he was wrong. If we were not islands, we would be lost, drowned in each other’s tragedies. We are insulated (a word that means, literally, remember, made into an island) from the tragedy of others, by our island nature, and by the repetitive shape and form of the stories. The shape does not change: there was a human being who was born, lived, and then, by some means or another, died. There. You may fill in the details from your own experience. As unoriginal as any other tale, as unique as any other life. Lives are snowflakes — forming patterns we have seen before, as like one another as peas in a pod (and have you ever looked at peas in a pod? I mean, really looked at them? There’s not a chance you’d mistake one for another, after a minute’s close inspection), but still unique.

Without individuals we see only numbers: a thousand dead, a hundred thousand dead, ‘casualties may rise to a million.’ With individual stories, the statistics become people — but even that is a lie, for the people continue to suffer in numbers that themselves are numbing and meaningless. Look, see the child’s swollen, swollen belly, and the flies that crawl at the corners of his eyes, his skeletal limbs: will it make it easier for you to know his name, his age, his dreams, his fears? To see him from the inside? And if it does, are we not doing a disservice to his sister, who lies in the searing dust beside him, a distorted, distended caricature of a human child? And there, if we feel for them, are they now more important to us than a thousand other children touched by the same famine, a thousand other young lives who will soon be food for the flies’ own myriad squirming children?

We draw our lines around these moments of pain, and remain upon our islands, and they cannot hurt us. They are covered with a smooth, safe, nacreous layer to let them slip, pearllike, from our souls without real pain.

Fiction allows us to slide into these other heads, these other places, and look out through other eyes. And then in the tale we stop before we die, or we die vicariously and unharmed, and in the world beyond the tale we turn the page or close the book, and we resume our lives.

A life that is, like any other, unlike any other.

And the simple truth is this: There was a girl and her uncle sold her.

Neil Gaiman, American Gods (via ricktimus)
Tell him that we have fucking reprogrammed reality. Tell him that language is a virus and that religion is an operating system and that prayers are just so much fucking spam.
American Gods - Neil Gaiman (Another good read if you haven’t done so already)

He croaked, “Hello, Laura.”

She looked up at him with dead eyes, and she smiled.

“How did you find me?” he asked.

She was silent for a while, in the moonlight. Then she said, “You are the nearest thing I have to life. You are the only thing I have left, the only thing that isn’t bleak and flat and gray. I could be blindfolded and dropped into the deepest ocean and I would know where to find you. I could be buried a hundred miles underground and I would know where you are.”

American Gods by Neil Gaiman

Maybe it’s the fact that it was 4am when I was reading this. Maybe I’m a big pile of PMS hormones or whatever. Maybe it’s the fact that Mr. Gaiman is the fucking MAN at writing simple interactions between two people that are so rife with FEELINGS and sincerity that I had to stop reading and hug my dog (who was so very very confused) and cry about it for a good 5-10 minutes.

(via staceyjoy)

Sendhil Ramamurthy as Mr. Ibis
Djimon Hounso as Mr. Jacquel
Aishwarya Rai as Bast
Rami Malek as Horus

Mads Mikkelsen as Czernobog
Morgan Freeman as Mr. Nancy

totalhermitude:

I love this book.

Shadow felt that he needed to say something: [I love you] or [please don’t go], or [I’m sorry]. The kind of words you use the patch a conversation that had lurched, without warning, into the dark places. Instead he said, “I’m not dead.”
American Gods - Neil Gaiman (via sharkicetea)
Are you drunk?”
“Not yet. I just keep thinking about Thor. You never knew him. Big guy, like you. Good-hearted. Not bright, but he’d give you the goddamned shirt off his back if you asked him. And he killed himself. He pout a gun in his mouth and blew his head off in Philadelphia in 1932. What kind of a way is that for a god to die?
American Gods - Neil Gaiman (via sharkicetea)